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This is of course one of several capacity building exercises in which the National Commission is engaged to help develop national capacity, whether it is in creating classrooms like this or sending nationals to benefit from UNESCO training and capacity building opportunities elsewhere.
In this, today we are one step closer to safeguarding our intangible cultural heritage through the mechanisms and provisions of the in Intangible Cultural Heritage Convention – often referred to as the 2003 Convention
It is one of several conventions, quasi legal instruments promoted by UNESCO, to capture, preserve and share the rich diversity of our lifestyles and cultures with each other and promote peace and understanding among our communities and between societies.
This is an exercise to empower our communities and practitioners and knowledge holders in retaining and transmitting knowledge, skills and practices as much as it is in strengthening the mechanisms for researching, documenting, archiving, inventorying for the benefit of future generations.
We think of and lament loss of those knowledge holders who have taken stock of knowledge with them: like Peter Harris who died recently with much of his research and knowledge of prehistoric societies of Trinidad and Tobago passing with him without our realisation of how such knowledge could enrich our understanding of ourselves and of our societies and for our future generations. We must move quickly to capture the accumulated knowledge and experiences these knowledge holders have and let that be part of our thinking when we think of drawing up our inventories – who are some of the most critical sources of knowledge that we should reach before we lose them and irretrievably, too, lose their knowledge.
We are here to strengthen identification of who and what we are; to quote a popular calypso – how we does walk, how we does talk, how we does cook, how we does lime and wine, key elements that place us among representatives of the sea of humanity that is the UNESCO community.
The focus of this convention on intangible cultural heritage is on the living expressions, knowledge and skills and traditions in the performing arts, oral traditions, practices, beliefs, festivals
Though intangible, we know that they are pivotal to holding the diverse fabric of our social tapestry together, to help intercultural dialogue among ourselves and with communities similar or different elsewhere to promote and, encourage mutual respect for one another. This exercise is part of the mechanism to particularly address what is a common cry among us; to define and promote inclusivity, to make communities feel represented, understood and respected in the national milieu.
We will find in this process much that we are doing well, and we would want to table these and inventory them among the best practices we would want to share with the rest of the world.
In other areas, we can use the help, particularly in developing infrastructure, systems and processes to respect and value what we have.
A most significant element of this convention is the importance and value it places on communities as central to the smooth running of state apparatus – a fact that sometimes get lost within our bureaurcracies and macro based policies and positioning.
(From left) Discussing safeguarding national heritage at the opening of the workshop on UNESCO Convention for the safeguarding of Intangible Cultural Heritage are: facilitators Rieks Smeets, Chair of the Trinidad and Tobago National Commission for UNESCO Dr Kris Rampersad; Minister of Arts and Multicultralism Dr Lincoln Douglas, Ambassador of Japan Yoshimasa Tezuka, facilitator, Harriet Deacon, and culture specialist in the UNESCO Jamaica regional office, Hima Gurung. Photo courtesy Kris Rampersad
Call made to preserve local heritage
“We cannot allow our unique traditions to die out with the older generation.” That was the message delivered on Saturday by the Minister of Arts and Multiculturalism, Dr. Lincoln Douglas, who said our cultural heritage must be preserved for future generations.
He spoke at a Workshop on Intangible Cultural Heritage at the Kapok Hotel.
In keeping with the guidelines laid out in the UNESCO’s 2003 Convention for the Safeguarding of the Intangible Cultural Heritage, many local cultural practitioners participated in the workshop.
The Minister said the store of knowledge, which is passed down from generation to generation, is fading and must be collected and documented.
Dr. Kris Rampersad, the Chairperson of the National Commission for UNESCO, said although this country is small in size and more vulnerable to external influences, we can become a strong counter-cultural force if we are secure in our cultural identity.
She said a greater focus on local content on television is needed to promote culture.
The Ministry of Arts and Multiculturalism is the keeper of the flame and Minister Douglas said the “Remember When Institute” will serve as a storehouse of the collective cultural conscience for generations to come.
Inventorying of living heritage builds momentum in Trinidad and Tobago
20 June 2013 – Community practitioners, government officials and members of non-governmental organizations are mobilizing themselves for a national workshop on inventorying of intangible cultural heritage to be held in Port of Spain, Trinidad and Tobago from 22 June to 1 July 2013.
Organized by the Trinidad and Tobago National Commission for UNESCO, the Ministry of the Arts & Multiculturalism of Trinidad and Tobago and the UNESCO Kingston Cluster Office for the Caribbean, the workshop marks a significant step in safeguarding the living heritage of Trinidad and Tobago. It will focus on community participation in the identification and inventory of intangible cultural heritage, organization and management of information, and hands-on experience in preparing field work. The field activity will be reinforced by a pilot inventory activity to follow in proceeding months.
Funded by the Government of Japan, the workshop is part of a sub-regional project being implemented in Belize, Jamaica and Trinidad and Tobago within the context of UNESCO’s global strategy on capacity building to safeguard intangible cultural heritage. It will be conducted by two experts from the UNESCO facilitators’ network: Harriet Deacon and Rieks Smeets.
See Also: http://kris-rampersad.blogspot.com/2012/10/centuries-old-heritage-tomb-spanning.html#more
the first European explorers cast their eyes in this direction in the quest for El Dorado. With the world re-awakening to the value of culture and heritage and the Caribbean being a repository of histories and heritage of migrant streams from all the continents of the world, El Dorado is not just the bullion or traditional objects of value as gold and jewelry, but artefacts that may be believed to fetch high prices in the world market, or become part of heritage collections that may one day be sold to museums and archives for high prices. These lie underwater, on land, in documents and in the oral memory and traditions we hold.
This siphoning out of such assets and heritage, deprive local communities and populations of enjoyment and appreciation of their heritage but also of creating and generating incomes from legitimate heritage-based industries and activities. It was partly in response to this that UNESCO developed its albeit convoluted sets of conventions related to protection of natural, cultural, built, knowledge and information heritage, assets all aligned to a complex series of processes and procedures and international legal instruments. (See list below.)
Trinidad and Tobago would be missing a crucial opportunity for diversifying the national economy if Government’s 2010-2011 Budget does not contain the necessary provisions to propel the arts and cultural sector from dependency to self-sustainability.
Arts and culture is a billion dollar industry elsewhere. It is the kind of returns from museums, from performances abroad, from sales and downloads of a range of cultural products in a world hungry for new entertainment on the one hand; and on the other, from fulfilling the cravings for new reflections of self and identity that our multiculturalism can provide. It has the potential to help individuals and communities to sustainable livelihoods. However, the structures and systems and investments necessary that can help us take advantage of this are sorely lacking.
The potential is not only our music, song, dance, drama, literature but outside-the-box industries of fashion and cuisine. We are sitting on a multi-million dollar revenue earner in literary tourism, but there are as yet no real facilities by which we can capture this international interest. Digitisation of access to these is also crucial. It is the duty of Government to create the environment to enabling and facilitate this; to promote public-private sector partnerships with individuals and groups in the sector, and to ensure that no one group or groups of organisations have the monopoly of access to these facilities.
At a time when the world is rapidly moving towards forms of energy other than petroleum, it is ridiculous to consider further incentives and tax reductions to the oil sector, when efforts should be concentrated at making that sector compensate for the imbalances it has created, and developing those sectors that have longer-term and more sustainable potential, particularly those related to the arts and culture sector. Europe and North America are trying to ‘buy up’ as much world cultures as possible, we seem all-too-willing to sellout our cultural assets and not even to the highest bidder– just look at the Economic Partnership Agreement between the European Union and CARIFORUM.
The 2010-11 Budget should present clear measures to provide effective tax and other incentives to the creative sector for the development of talents, products, communities along with a short, medium and long term vision that gives culture its rightful place at the centre of national development, not just piecemeal and tokenism. That would also include revising the mainstream (preschool/primary to tertiary level) education curriculum, teacher training, and education materials to reflect and enhance appreciation for local arts and multiculturalism, along with intelligently utilising the new arts megastructures to effectively cultivate and provide opportunities for creative enterprise and activities easily accessible to the masses. With this should come review of all ‘national’ competitions to lift the standards and quality of products being awarded by state and private sector funds, while helping to facilitate development of audiences, readers and participants. Where is our National Arts Council that is equipped and resourced to pull together and make holistic and effective the work of the National Carnival Commission, National Archives, National Trust, National Libraries and Museums for instance?
The spin offs are not only tangible economic benefits, but other social spinoffs – reduced crime, poverty, stress on social services and the intangibles of civic ownership, and national pride.