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LiTTribute to LondonTTown is the next stop in our literary odyssey to recognise and underscore the global character and relevance of fiction, even those from small islands like Trinidad and Tobago.
It will take place on July 15, 2013 and will feature readings and presentations inspired by LiTTscapes – Landscapes of Fiction from Trinidad and Tobago.
High Commissioner to the United Kingdom, His Excellency Garvin Nicholas said: “The Trinidad and Tobago High Commission looks forward to showcasing the work of one of our talented local authors. In ‘Littscapes’, Dr. Rampersad has brought to light Trinidad and Tobago’s rich literary tradition and unique heritage. This event will provide an important platform for highlighting the complex history and fascinating social landscape of Trinidad and Tobago to a British audience”.
As with other LiTTributes held earlier this year – to the Mainland in Guyana and to the Antilles in Antigua – this will encourage rethinking how we may better engage with and utilise the rich literary outpourings as represented in LiTTscapes to develop synergies with the international community for social and economic development in film, music, entertainment and education sectors.
It is well established that the relationship between Trinidad and Tobago and Europe, particularly the British Empire, has been the primary axis from which all of our written literature has emerged. This is evident even in books that do not engage directly with the colonial condition in the effects and influences of the English language, literature, education, and political and social systems and institutions.
LiTTscapes represents this relationship from the earliest writings of Sir Walter Raleigh to the current day among the 100-plus works by more than 60 writers, including those who made London their home such as Naipaul, Selvon, Lakshmi Seetaram-Persaud and others.
LiTTscapes has been acclaimed as a groundbreaking pictoral yet encyclopaedic compendium of the lifestyles, landscapes, architecture, cultures, festivals and institutions in its full colour easy reading documentary/travelogue/biography representation of Trinidad and Tobago and its fiction as represented in more than 100 fictional works by some 60 writers. It is available at bookshops or email firstname.lastname@example.org.
LiTTribute to LondonTTown follows on the recent LiTTribute to the Antilles staged in Antigua in March, LiTTurgy to the Mainland in Guyana in February, and LiTTribute to the Republic of Trinidad and Tobago, hosted by the First Lady of Trinidad and Tobago, Dr Jean Ramjohn Richards and Dr Rampersad in September 2012. LiTTscapes was launched at White Hall – one of Trinidad and Tobago’s Magnificent Seven buildings as part of the islands 50th anniversary of independence in August 2012.
Persons wishing to get involved and For invitations and details Email: email@example.com.
See: https://sites.google.com/site/krisrampersadglobal; facebook.com/kris.rampersad1LiTTscapes, LiTtributes, LiTTour Album Facebook .
PLS RESPECT OUR COPYRIGHTS: You can contribute to these efforts by purchasing the books for friends, schools and institutions; or requesting our customised LiTTours or LiTTributes – Email firstname.lastname@example.org for details
So masmen are enflamed. Again. Over prize money. Again. Are at loggerheads with the powers that be. Again.
It’s the continuing saga of bacchanalia.
Unless we weed out the endemic systems of dependency on which the celebrations were founded; and the governance system recast itself as mechanism that has the will to act; to revamp and develop adequate systems and structures and institutions that nurture and support artists and creators in ways that make them self-reliant, and that make the Carnival and other Festival Arts into the viable and sustainable creative industrial sector they can be, the recurring impasse over prizes, prize structure and prize money for pan, mas, calypso, soca, chutney, stickfighting, Hosay, Divali, Phagwa, Pichakarie, and everything in between would remain the never-ending story.
Somewhere in there is also the recurringly invisible cultural policy in state of perpetual draft over the last 50 odd years of so – yes, 50 years – and each time it resurfaces merely replicates the dependency syndrome!
Is it any wonder that we cannot see our way, despite the rich amalgam of talent and creativity we exhibit in our daily lives. Shortsightedness continues to doggers.
Where are the well-thought-out budgets that look beyond just the annual seven day wonder to an Industry? That takes into full account the contributions and the value – social, economic, political and other value included – of the cultural sector so budgetary focus can match that contribution, not reflect tokenism.
Where is the vision for building proper supportive trade and commercial structures and mechanisms?
Where are the mechaniims and facilities and facilitation for those more meaningful forms of compensation as insurance, pensions, support grants, support training and services that would build and strengthen the sector so ever so regularly we would not have to hear of how another of our artists is close to the breadline?
And where is the will by those in the sector – policy and decision makers, the corporate sector, and practitioners alike, to make it happen?
Are we really serious. Who’s fooling whom?
These are some of the endemic systematic changes and modes for institutional reform in a culture of transformation that discussions on constitutional reform should also take into account – how to redress the kind of institutional malaise that are inhibiting progress and meaningful development and effectively restructure public institutions, their relationships with the state and the state’s relationships to the civic mechanisms that they ought to sustain.